I used to work as an usher at a local comedy club, and my favorite perk was the ability to sit in and watch the shows once everyone was settled into the theater.
On one shift, I was especially excited to watch an Asian comedy night, featuring a lineup of stand up comedians of East and South Asian descent*.
(* I distinctly remember a lack of Southeast Asian performers, but as someone of Southeast Asian descent who had been a member of that community for several months at that point… I wouldn’t be surprised if they simply couldn’t find anyone. If only I had an interest in stand up!)
I hate to admit it, but my excitement about the show cooled down quite a bit over the course of the night. After giving it some though, I realized where my discomfort came from: a lot of the jokes were about white people.
- Can you believe a white person had to ask me what spices to buy at the grocery store?
- Can you believe a white person didn’t know how to pronounce my name correctly?
- We all know that white person, am I right?
I realized this while contemplating the headliner, who had the only set of the night that I enjoyed without hesitation. His set was entirely about being an immigrant from Bangladesh, and the culture shocks that he experienced, and continues to experience, living in the United States. The headliner’s set struck me as very personal. I could tell that his jokes were well refined and practiced, but were also rooted in his real life experiences and observations.
The rest of the acts, in comparison, felt like they were pandering, like the evil white man was a uniting point among all people of color and centering their acts around him would guarantee laughs from the entire audience. However, for me, this had the opposite effect – I left the show exasperated that a space carved out by Asian people for Asian comedy was dominated by… white people. I didn’t learn anything new about any of the other performers and their cultures; the only thing that I learned was that white people are so stupid, am I right?
I talked about this set later on with one of my managers, who confessed that he felt similarly about the theater’s queer comedy nights, which were full of jokes about how ignorant straight people can be. We eventually came to the following two conclusions:
- Shows like these create a safe space for minorities to speak freely about their experiences, and their importance should not be understated. People often do not feel safe saying the things that they say outside of affinity nights like these, and the existence of these shows and spaces is vitally important!
- Comedy is subjective, and you shouldn’t have to feel obligated to think someone is funny simply because of shared demographics!*
(* Controversially, this realization led me to reexamine my enjoyment of several Asian/Asian-American comedians that seemed like acts that I should enjoy – Jo Koy and Ali Wong are great examples – but, secretly, deep down, found very tiring. This is definitely due to other factors, like the hackiness and pandering that befalls many comedians as they become more popular as well as my own evolving tastes, but either way – apologies to my people!!!)